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Gianluca Morozzi – Marco Rossari (eds.)
DYLAN REVISITED
Racconti su Mr. Tambourine
Stories by : Ivano Bariani, Daniele Benati, Francesca Bonafini, Alessandro Carrera, Gabriele Dadati, Carlo Feltrinelli, Teo Lorini, Marco Missiroli, Gianluca Morozzi, Livio Romano, Marco Rossari, Angelina Rotolo, Francesco Savio, Fiammetta Scharf, Alice Suella
Manni Editore
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Bob Dylan is more than a singer. He is an icon, a rockstar, a poet, a slob, a Jewish, a Catholic, a visionary, a narcissist, a misanthropist. He is a man who had only one God: the elusiveness. Dylan reflected himself in people of his own generation as well as in those who were born when Bob Dylan's inspiration was - temporarily - drying up. He danced with grandparents and drunk with youngsters, he rejected the light and discovered the folk music, he lost his voice and turned the light on, he shoot out marvellous poems. And he hasn't found yet a poet who sings his praises.
Sixteen writers are trying to give back Dylan's image in this collection of stories.
Gianluca Morozzi was born in Bologna in 1971. He is a prolific author of novels, romance, graphic novels. His first work was in 2001 Despero and in 2004 he gained success with his novel Blackout . His last book is Il vangelo del coyote .
Marco Rossari was born in Milano in 1972. He works as an editor and translator. He published the novel Perso (l'amore non resta che bere), the short story Invano veritas and the collection of poems L'amore in bocca . He writes for the newspaper “Il Riformista”.
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Mario Gamba
GLI ULTRATERRESTRI
Musiche dalla rivoluzione globale
(Ultra-Terrestrial)
Cronopio,12 × 19, Collection: Virus, 210 pages
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At the beginning they were called no-global, later new-global. Nowadays it would be better to talk about persons from the global movement. From Seattle (1999) to Genoa (2001), from the peace protest of 100 millions of people all over the world on the 15 th of February 2003 to the G8 Rostock's protest in the summer 2007, this new political and cultural movement acts with different successes and offers resistance to the international capitalism's structures. Someone had also called it “movement of the movements”. Mario Gamba's book opens with a question: Are there in this movement some musical experiences from the twentieth and the twenty-first century which are equivalent to different cultural upsetting experiences? The answer is yes. Examples about these music products come from great artists as Butch Morris, Assif Tsahar, Fausto Romitelli, William Parker or the “new electronic” (Pan Sonic for example) and other artists such as Sun Ra or Nuova Consonanza. In the book it is also possible to find three “interludes”: three interviews to important figures of the present political culture: Toni Negri, Franco Berardi “Bifo” and Tiziana Terranova.
Mario Gamba is a journalist of Il Manifesto, L'Espresso and Tg3. He writes on contemporary music and jazz .
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Roberto
Iovino & Ileana Matti
Sinfonia gastronomica
Viennepierre 2006
296 pages
18.00 euro |
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This
book deals with the relationship of food and music and it is designed
like a symphony - with a prelude, a first part, an interlude, a
second part and a postlude.
The first part is a travel across the arts of cooking and the art
of sound from the Ancient Greece to our time. The second part is
related to theatre and Opera, where a toast or a dinner party are
often the climax of the show. In the postlude some great muscians
and gourmets are considered, such as Paganini, Rossini, Verdi who
often preferred the pleasure of foods to the joy of music. The finale
is an invitation to banquets that are inspired to Roman, Medieval,
Renaissance, Baroque and Futurism arts, matching recipes and musical
pieces.
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ASSENZA PRESENZA
(ABSENCE PRESENCE)
by Bruno Bergonzi
Introduction by Isabella Bossi Fedrigotti
Bevivino
(2006)
ISBN: 88-88764-77-1
Pages: 104
€ 15,00 |
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book: there are words that
have a reference with music. When you are reading, if you pay attention,
you can listen the sound that comes out from the words. The lines
of text become lines of verse, and the story becomes a poem. Dreams,
imaginations, visions that you can find in this book seems yours.
The author: Bruno Bergonzi is a musician and a
composer. He studied in Milan, at the conservatory of music “G.
Verdi”. He presently teaches modern percussions and works
for the staging of a theatrical recital.
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Cox,
Franck, Hinant, Miller, Murphy, Paci Dalò, Quinz, Szepanski
MILLESUONI. Deleuze, Guattari e la musica elettronica
(A Thousand Sounds. Deleuze, Guattari and electronic music)
Edited by Roberto Paci Dalò and Emanuele Quinz
Cronopio, 2006
150 pagine, 10 tavole b/n, 13x20 cm, 14,50 euro
all
rights: Cronopio |
The
history of the meeting of Deleuze and Guattari’s philosophy
and music, perhaps, can be said to begin in 1972, when Deleuze
took part in the recording of the LP Electronique Guerrilla with
the experimental rock band Heldon, and lent his voice to a fragment
taken from Nietzsche’s Human, All Too Human.
A whole chapter in A Thousand Plateaus is about music.
Music offers Deleuze and Guattari an opportunity to enrich their
thought and from their reflections and concepts one can easily
draw ideas about the possible developments in today’s’
music.
This collection of short essays goes through this rich and complex
history, and the idea of a music «without a centre»,
made of fluxes, always moving sonic plateaux, as a form of life
ready to open becoming.
Emanuele Quinz explores some key concepts in Deleuze and Guattari’s
reflections on music. Murphy, Cox and Franck analyse the impact
of the two philosopher’s thought on experimental electronic
music, moving from different views and assumptions.
The book includes testimony of people who – like Hinant,
Spzepanski and Paul D. Miller, aka Dj Spooky –integrated
Deleuze and Guattari’s thought in the practice of music
production, images by Roberto Paci Dalò, bibliographical
and discographical references.
Cristopher
Cox teaches philosophy at the Hampshire College in Amherst, Massachussets,
and writes on contemporary art and music. Philippe Franck is the
director of the interdisciplinary association «Transcultures»
in Bruxells. Guy-Marc Hinant, the author of fragments-stories and
video documentaries, is the co-founder of Observatoire des musiques
électroniques in Bruxells. Paul D. Miller, aka Dj Spooky,
a New York conceptual artist, writer and musician, has worked with
musicians and composers as diverse as R. Sakamoto, P. Boulez, Yoko
Ono and Thurston Moore from Sonic youth; his artworks were
exhibited in Whitney Biennial, Venice Biennial of Architecture and
the Andy Warhol Museum. Timothy S. Murphy, a professor of American
Literature at the University of Oklahoma, is the author of Wising
Up the Marks: The Amodern William Burroughs (1997) and the
editor of The Philosophy of Antonio Negri: Resistance in Practice
(2005). Roberto Paci Dalò, a filmmaker, artist and musician,
works with many universities in Europe, USA and Latin America and
with Internationale Heiner Müller Gesellschaft in Berlin. Emanuele
Quinz teaches aesthetics of the new media at Paris 8 University
and at the Accademia delle Belle Arti di Brera in Milan; author
of several books, he is the founder and president of Anomos, a centre
of research on contemporary art creation and new technologies. Carlo
Simula is in charge with press and communication for Centro Arte
Contemporanea in Siena. Achim Szepanski, the founder of the electronic
music label Mille plateaux in Germany, is the author of several
essays on Adorno, Lacan, Deleuze and on music.
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Glauco
Cartocci
Il caso del doppio Beatle-Il dossier completo sulla "morte"
di Paul McCartney
p.
320 - 14 euro
Spring
2006 |
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In
1969 the Beatles launched their LP Abbey Road –
one of their greatest hits. Apparently. Actually, in the album
cover there was something that puzzled their fans. A series of
clues, which are thoroughly described in this volume, contributed
to create one of the darkest and most enthralling urban legends
of pop music – Paul McCartney's supposed death. By considering
a series of clues, which the author identified in “Sergeant
Pepper” or“Let it be”, in photos and media documents,
the book carefully reconstructs a story that all music fans should
know - the “Case of the Double Beatle”
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VITTORIO
FRANCHINI
SUONO NERO. Sulle strade della musica felice
(BLACK SOUND. On the road of happy music)
MC Editrice, forthcoming
A travel in the search for the old and new souls of Africa. An
encounter with outstanding figures of the new black music - Yousson
N'Dour, Miriam Makeba, Fela Kuti, the Xalam, Bobby Benson, Cheb
Kaled. The volume includes black and white photos by Elena Carminati
and a section about traditional instruments by Gabin Dabiré.
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VITTORIO
FRANCHINI, a long career as correspondent of "Il Corriere
della Sera", then director of various weekly and monthly magazines,
including "La Domenica del Corriere", "Qui Touring",
"Club3", is the author of many books about music and African
ethnology. In his role of jazz critic he has travelled in Africa
in the search for the original roots of jazz music. He has lived
also in Louisiana and is honorary citizen of New Orleans. He has
also worked for television and radio shows.
ELENA CARMINATI is a well-known photographer specialising
in jazz and African music. She is the photographer preferred by
Max Roach, Ornette Coleman and Sonny Rollins. One of her photos
portraying Jerry Mulligan is at the White House and on the home
page that the Library of Congress has reserved to. American music
GABEN DABIRÉ comes from Burkina Faso, near the border
with Ghana and Ivory Coast, the very core of the African West Coast
music. He is a singer and plays balafon, sanza, drums and guitar,
performing in concerts throughout Europe. |
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Zona:
AminoaCiDi series - Songwriters' Music in Books
The
series is supervised by Professor Lorenzo Coveri, a linguistics
teacher at the Genoa University. This series arises from a wish
to deepen "the literature inside the most important Italian
songwriters' works", from a linguistic point of view and in
a popular style. Its purpose is to know and to understand usage
and expressions of theItalian language through songs. At first these
series' volumes were published in a CD book size (cm 12x13), they
had 64 colour pages and were inside a specially provided box. Today
they are published in a book size (cm 13x19,5), they have 128 pages
and more sections with illustrations and information. |
ANDREA
PODESTÀ: FABRIZIO DE ANDRÈ. IN DIREZIONE
OSTINATA E CONTRARIA (In the obstinate and opposite direction)
Second Edition, pp. 128 3500 copies sold in the first edition
Fabrizio De Andrè (1943-1999) is surely the most known and loved
Italian songwriter and his songs are translated in many languages and
appreciated all over the Europe, especially thanks their poetical depiction
of the contemporary world. Analyzing his songs texts Andrea Podestà
leads us to discover the world De Andrè has dreamt, reading his
artistic route, as well as choosing his linguistic and component aspects.
The first edition of this book has been published in 2000 and it has
sold 3500 copies. The second, revised and widened edition includes the
impassioned interview, also comprised in the first edition, to the Genoese
comic actor Beppe Grillo, in which he describes his friend De Andrè
making his debuts and an exclusive interview to the musician and arranger
Mauro Pagani, who was a collaborator and the “soul” of the
Italian artist’s last works.
Andrea Podestà is a 35-year-old Genoese Arts teacher. He has
discussed his graduation thesis on a study on the dialect use in De
Andrè’s songs, published by the Italian Studies Review
"Italiano Oggi".
LUCA COZZARI:
FRANCO BATTIATO. PRONIPOTE DEI PADRI DEL DESERTO
(An Offspring from the Desert Fathers)
Zona, pp. 64
Franco Battiato is a many-sided singer, songwriter and musician, well
known in Italy and abroad thanks to his ability in renovating folksongs
rules. This book wants to analyse, how Battiato and his collaborators
deal with the creative effort within his song texts and how his word-universe
originates and develops. Through a long interview and a fluent, deepened
essay - full of quotations from Battiato's songs and illustrated with
Carmelo Bongiorno's charming photos - Luca Cozzari thus analyses his
textual production. The volume is crowned with a complete final section
including Battiato's discography, web sites, news and curiosities about
him.
Luca Cozzari is a 30-year-old freelance journalist and an Italian song
scholar. He has taken an Arts Degree, with thesis just on Franco Battiato
and his works.
In
the same series:
ANDREA PODESTÀ Francesco De Gregori. Camminando su Pezzi di Vetro.
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MARZIO
ANGIOLANI GENOVA. CANZONI IN SALITA. GUIDA ALLA CITTÀ E ALLE
SUE CANZONI (Genoa. Uphill Songs. A Guidebook on Genoa's Town and
its Songs)ZonaGenoa (European capital of the culture of the year
2004) seen trough places, hidden squares or spots immortalised by
some of the most important Italian songwriters in their songs. From
Luigi Tenco to Fabrizio De Andrè, from Gino Paoli to Paolo
Conte and their younger "heirs a "musical map" of
Genoa; the
section called Guided Tours is about "official" art places,
suitable to a real tourist guide.
Marzio Angiolani was born in Genoa in 1974. He collaborated with
a band for an event bringing songwriters’ songs in places
of particular historic and artistic interest of Liguria. He has
also written for some periodicals. |
ROMANO
GIUFFRIDA
DE ANDRE', GLI OCCHI DELLA MEMORIA. Tracce di ricordi con Fabrizio
Elèuthera - 160 pp.
January 2002
On the stage of the great cultural and social changes of the last four
decades, the known Italian singer Fabrizio De André has expressed
in his songs and poems the feelings of more than one generation. Such
feelings are expressed in the words of poets and musicians who met Fabrizio
and his art - Carla Corso, Alda Merini, Andrea Gallo, Giorgio Bezzecchi,
Massimo, Claudio Lolli, Tonino Paroli, Stefano Raspa.
Romano Giuffrida (1955), is author of essays and reportages. Another
book on the same subject, Fabrizio De André, accordi eretici
was published in 1997. Giuffirda has also directed a film, Faber (1999)
dedicated to De Andrè.
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